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Timeless bond between birds and people on Big Dog Island
Story by Merrill Findlay with photos by Sandy Scheltema, first publiished in The Age Weekend Extra, Melbourne, Saturday 22 August, 1998.
As
the days grow shorter in the far-off waters of the North
Pacific, hundreds of thousands of hungry, dun-coloured
seabirds, millions even, begin their long annual flight
south to Big Dog Island from their Arctic feeding grounds
to mate, lay their eggs and rear their young, the next
generation of short-tailed shearwaters, or mutton birds.
Big
Dog itself is an island of extraordinary fecundity. Even
the granite boulders scattered around its coast are covered
with an iridescent living skin of orange lichen, and every
square metre of earth is riddled with mutton bird holes.
While the chicks are in the burrows, the very soil seems
to throb. In the pre-dawn darkness when the birds are
active, the air, too, is alive with rustlings and raspings,
loud trumpetings and thumps. But just before dawn, silence
again. Slowly the perfect beaches between the boulders
become splashes of white across the monochrome. The sky,
the water turn pale gold and rose. Cape Barren geese rise
from the tussocks and honk, each with a different church-organ
tone, and crows circle and caw overhead looking for the
chicks that didn’t survive the night.
Soon smoke
is rising from a chimney and an old iron kettle is singing
over an open fire. A torch in the half-light, the rude
stutter and whine of a diesel generator, and electric
light floods the corrugated iron sheds, kitchen and sleeping
quarters of John Wells’ birding lease. Traditionally women
have remained in the sheds to process the birds on Big
Dog, but this is the end of the season and many of the
young men have already left, so it is John’s daughters,
14 year old Peta and 21 year old Kimberley, who accompany
their father into the rookery this morning. Already John
is singing. ‘A man can be free here,’ he says.
John
and his daughters disappear amongst the tussocks. They
bend, kneel, and stretch out along the ground to each
thrust an arm down a mutton bird hole. Their fingers touch
the soft down of a chick, they grab it carefully to avoid
being pecked, and pull. With a quick flick of the wrist
they break its neck and drop the small still-twitching
body onto the earth -- then move to the next hole.
At the other end of the island, on the lease Bernice Conde
runs, the rookery remains exclusively male territory.
Here Rex Burgess and his ‘apprentice’, Nathan Maynard,
are at work amongst the tussocks. There is nothing aggressive
nor mechanical about their harvest and many burrows remain
overlooked, a blessed inefficiency that ensures the mutton
birds’ survival on Big Dog.
When
the body-count is sufficient the catchers thread the dead
chicks onto wooden spits, lift the spits across their
shoulders, and return to the sheds as generations of birders
have done before them. By evening, hundreds of small,
plucked and gutted bodies are waiting neatly on wire racks
to be packed and shipped to Flinders Island -- and from
there to markets in Tasmania and the mainland, including
Melbourne’s Victoria market.
For
five weeks every Autumn, this scene is repeated on each
of the eight leases on the Aboriginal island of Big Dog.
At the end of the season the mutton birders leave, and
so do the chicks that have survived to fledge. But next
year the skies will again darken as hundreds of thousands
of birds, millions even, return from their Arctic feeding
grounds to nest, and once more, Tasmania’s Aboriginal
people will get that ‘itch’. And so the timeless bond
between short-tailed shearwaters and the people who harvest
them will continue.
*********
To
make this trip into Bass Strait, the dangerous body of
water between Tasmania and the Australian mainland, Sandy
Scheltema and Merrill Findlay chartered The Fand,
a 38 foot steel-hulled Colin Archer designed yacht built,
owned and skippered by reknowned Greenpeace sailor, Chris
Robinson. David Scott was first mate on this voyage.
Chris
Robinson is known internationally for his fearless work
on Greenpeace's first yacht, Vega, and later on
the Rainbow Warrior in the waters around Muraroa
Atoll where the French government tested its nuclear
weapons. Indeed, Chris was on the Warrior when
French agents blew it up in New Zealand, killing the photographer.
More recently he was in the North Atlantic participating
in the Brent Spar action. As this is posted, Chris is reportedly
sailing one of Greenpeace's yachts to South America.
Photographer Sandy
Scheltema has sailed with Greenpeace many times, and
has worked extensively with other non-governmental organisations
around the world on environmental and social justice issues.
She is currently a photojournalist with The Age, Melbourne,
and continues her professional work with other agencies.
World Vision sponsored a touring exhibition of her
international photographs on children of war, poverty
and child labour in 1999/2000.
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Content first posted in 2002 and last revised January 2005. This page created 21 January 2008. |
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